Contrive – “Slow Dissolve”

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This artist did try to move some things around, but unfortunately not enough. At first glance it seems like it’s just drawing inspiration from this famous picture of Rob Bottin and his legendary FX from John Carpenter’s “The Thing”, but when you lay each piece of art on top of each other in Photoshop, it’s clear that everything lines up. There’s a few instances where the artist tried to squish a face around here or there with some transformation tools in the software, but ultimately this is a case of cutting from a copyrighted photograph and pasting it into the artist’s digital file. Then the artist most likely used photoshop filters as well as classic tracing and paint-over methods to make the artwork appear “drawn”.

At the end of the day, though, the artwork is stolen from someone who owns the rights to the photo, not to mention the classic FX design from the movie itself.

It is 100% okay to use the Thing as inspiration or jump-off-point for your own creatures, of course. We have all been inspired by Rob Bottin’s creature designs. But it’s not okay to take a photo off of Google and use it for your album cover in this way.

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Enforcer – “Live by Fire”

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This is a particularly lazy example of an amateur designer using another living artist’s artwork to make their own work look better. If the artwork on the right was hand-drawn and only INSPIRED by the artwork on the left, I’d have less issue with it. But due to the fact that the design was copied and pasted into digital software and only slightly adjusted, it’s a definite case of plagiarism.

Note to designers: You can use old art and posters from before 1920 as it falls into the public domain. A movie made in 1976, though, is still the property of someone and you can’t pilfer movie poster websites for your own gain. Especially if you are just going to take elements from them whole-hog.

The Legendary Pink Dots – The Gethsemane Option

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Once again, Joachim Luetke’s artwork for Obzen was wholesale cut and pasted onto this band’s album cover.  In this case, it is even more blatant than the previous example shown on this blog.  The artist in question doesn’t appear to have a lot of experience in design according to my research, but that doesn’t change the fact that this is plagiarism.
Most designers will try to  defend their choices in how they pull from their source images and sometimes they are absolutely in the right. For example, anything pre-1920s is considered the public domain and free for use. This is why you see a lot of Gustave Dore or Hieronymus Bosch pilfered for heavy metal art usage. It’s still pretty cheesy to take from those sources, in my opinion, but it is perfectly acceptable.

Taking artwork from a metal band’s release from 2008, however, does not fall into the public domain.